Look, I’d love to summarize every negotiation, twist, turn, and lickety-split roll call that went down in this episode, and also explain how politically plausible each moment actually was. That’s why House of Cards is a This Town show. Guess what? Almost every damn person who regularly crosses the threshold of a Congressional cloakroom thinks he or she is doing really important show.
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And it did all of this with House of Cards’s signature sense of self-important hig -drama, or what our own Matt Zoller Seitz recently referred to as its “magisterial swagger.” House of Cards is a show with an inflated sense of ego it tells engrossing stories, sure, but it’s obvious that it also thinks it’s doing really important work. It demonstrated how difficult it is for the two parties to work together. It made the attempt to reach a quorum - quorum: definitely one of the top 25 most boring words in the English language - seem exciting and suspenseful. It delved into the particulars of how bills become laws in ways that extended far beyond what we all learned from Schoolhouse Rock. This episode was what I’ll refer to as a Sexy C-SPAN installment of House of Cards, one that transformed the often mundane legislative process into a moment of high drama worthy of a reality show entitled Real Senators of Capitol Hill. The reasons they love House of Cards are all right here in episode three of season two, which focused largely on behind-closed-Senate-office-door maneuvering over an amendment that would raise the retirement age (win for Republicans) while avoiding a government shutdown (win for the Democrats), all just in time for this productive bipartisan effort to be touted in the president’s State of the Union address (win for the president and, more importantly, Vice President Frank Underwood). and I mean the official This Town-ers, not necessarily the many non-politically affiliated normals who also, swear to God, actually live in the D.C. Ultimately we’ll never know how this was supposed to pan out given the Spacey situation.People in Washington, D.C. The ending was admittedly intriguing, though it seemed farfetched that Frank would engineer his own downfall to accelerate Claire's career. On the living front, Will Conway (Joel Kinnamon's) eventual meltdown in the face of Frank's employment of voter suppression and terrorist activity to manipulate their election seemed very out of character even if it had been gradually hinted that he wasn’t as perfect as he seemed, whilst several new forgettable additions to the cast (such as Alex Romero and Sean Jeffries) couldn't even make the cut for season six. Aidan Macallan (Damian Young) and Leann Harvey (Neve Campbell) never felt like more than bit-part players and the former's Edward Snowden-esque arc felt rather forced. It has the highest body count of any season, but Tom Yates had long become a joke by the time Claire poisoned him, his schoolboy-like fawning over her having become more and more ludicrous with each passing episode.
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Looking back at Cards now that it is finally finished, how do its six seasons stack up? Regardless, every one of their media competitors has stepped up their game in response. It could be argued that they now favour quantity over quality, given how only a handful of these (such as Stranger Things and a couple of their Marvel adaptations) have garnered a popular and critical reception comparable to House of Cards.
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#HOUSE OF CARDS SEASON 4 REDDIT SERIES#
The first season was a huge gamble for Netflix given that they had yet to commission an original drama series before, their only experience in the field being their co-production of the Norwegian-American drama Lilyhammer.įast forward five years and the streaming platform is one of the biggest players in the world of entertainment, with hundreds of original series and films under their belt. Though the legacy of the series has been heavily tainted by its association with Spacey, who was fired from the show following the wave of sexual abuse allegations that were raised against him last year, it cannot be understated just how much of an impact it has had on shaping and redefining the medium of television as we know it.